Mode selects the type of algorithm used, Voice (vocals), Instrument (other instruments), Music (full mix material, ie. mixed music).

Source, sets the freq., and if applicable, vocal type/range, of the material. F(0) (Min, Mean, Max) sets the fundamental freqs., and Tune, the (A) note freq. of the material. Learn automatically analyses and sets those freqs., and for best results, should always be used when starting processing with Transformer!

Target, provide a range of options for the transformation of the source material. In voice mode, a range of vocal types/ranges are available, and on top of that, parameters such as gender, age and breath can be used as well. For all types of material, pitch, expression and formant are provided as well.

Remix, a mini-mixing console where the various components of the processed audio can be mixed before sending the signal to the ouput.

The options panel controls a number of parameters affecting the analysis-re-synthesis engine.

For some fun and yet more expressive processing, two modulators are provided; one for modulating the Pitch (Transpose), and one for the Formant.

The Spectral Envelope allows for complex remapping of the spectrum envelope, according to a freely definable curve.

A two-band high/low pass filter section that can be applied on the incoming or the outgoing material.

Input/Ouput Gain (-60/+18 dB) Input/Output VU Meter (-60/+18 dB). Bypass routes the incoming signal direct to the output for a true smooth transition between processed/clean signal. Dry/Wet mix control for mixing in unprocessed signal with processed signal.

Oversampling adjusts the oversampling factor, Overlap controls how often the analysis is updated for a given window size, Window Size determines the time-frame base used to extract time localized data in time from the incoming material, Transient toggles transient processing on and off.

Amplitude controls how the output amplitude is affected by the left and right channels.

Frequency controls the frequency content of the output with respect to the inputs.

Oversampling adjusts the oversampling factor, Overlap controls how often the analysis is updated for a given window size, Window Size determines the time-frame base used to extract time localized data in time from the incoming material.

Temporal Envelope controls how much of the dynamics from channel 2 versus channel 1 will be imprinted onto the output signal.

The source track, taken from channel 1, is used to extract an excitation signal, and the filter channel, taken from channel 2 is used to derive the filter characteristics. Source and filter track analysis are controlled by the Spectral Envelope settings.

To enhance the workflow, the two Preset/Parameter slots, A and B, can be loaded with two different presets ie. two full set of parameters at the same time. Apart from saving each preset, a "Global Preset" containing both the A and B settings, and the postion of the "Morphing Slider", can be saved.

The Morphing Slider provide morphing between the parameter settings of slot A/B allowing for really creative and useful realtime tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.